Now is your last chance to register for the Contemporary Experimental Women’s Writing conference at Manchester. Don’t delay! Do tell your friends!
Here’s the updated programme:
CONTEMPORARY EXPERIMENTAL WOMEN’S WRITING
PROGRAMME
Saturday 12th October
9.00-10.00 registration (Foyer, Martin Harris Centre)
10.00-11.30 panels 1, 2, 3
Panel 1: Angela Carter 1 (Chair: Helen Snaith) (Room: F20)
- Jeannette Baxter (Anglia Ruskin), ‘Surrealisms, Fascisms and the Post-War Imagination: Re-reading The Infernal Desire Machines of Doctor Hoffman’
- Anna Watz (Uppsala), ‘The Feminist-Surrealist Poetics of Leonora Carrington and Angela Carter’
- Heidi Yeandle (Swansea), ‘“I experiment therefore I am”: Angela Carter’s Experiments with Cartesian Thought’
Panel 2: Contemporary Novelists (Chair: Nadine Muller) (Room: SU14)
- Zeynep Z. Atayurt (Ankara), ‘“This is a world of spectacles”: Metafictional Subtleties and Stylistic Variations in Elif Shafak’s Gaze’
- Jude Roberts (Birkbeck), ‘“Tell me a story”: Catherynne M. Valente and the Role of Narrative’
- Christopher Vardy (Manchester), ‘“Deliriously ramshackle … history in paradigm”: Nicola Barker’s Darkmans’
Panel 3: Contemporary US poets (Chair: Vona Groarke) (Room: SU15)
- Simon Haworth (Manchester), ‘“It’s always some fortuity that traps me”: Unaccountable Subjects, Form and the Poetry of Chance – Marianne Moore and Jane Yeh’
- Claire Hurley (Kent), ‘“What girl ever flourished in such company?”: Barbara Guest and the New York School’
- Kat Peddie (Kent), ‘Questing beyond Disjunction: Susan Howe’s “Hope Atherton’s Wanderings” and Veronica Forrest-Thompson’s On the Periphery’
11.30-12.00 tea and biscuits (G16)
12.00-1.30 panels 4, 5, 6
Panel 4: Christine Brooke-Rose (Chair: Natasha Alden) (Room: F20)
- Joseph Darlington (Salford), ‘“Read less, live more”: Christine Brooke-Rose and May ‘68’
- Stephanie Jones (Aberystwyth), ‘“To belong nowhere”: the Experimental Woman Writer and the Work of Christine Brooke-Rose’
- Rebecca Pohl (Manchester), ‘“Formidable but engaging”: The Pleasure of Recognition in Christine Brooke-Rose’s Fiction’
Panel 5: Jennifer Egan (Chair: Ian McGuire) (Room: SU14)
- Alice Bennett (Liverpool Hope), ‘“A New Lesson about Time”: Temporality, Social Networks and Reworked Modernism in A Visit from the Goon Squad and NW’
- David Hering (Liverpool), ‘Play it Again: Jennifer Egan and Dana Spiotta’s Musical Narratives’
- Hope Jennings (Wright State), ‘“Form and Flux”: Music, Memory and the Permeable Past in Mary Gaitskill’s Veronica, Jennifer Egan’s A Visit from the Goon Squad and Dana Spiotta’s Stone Arabia’
Panel 6: Translations (Chair: Jeannette Baxter) (Room: SU15)
- Frances Kruk (Royal Holloway), ‘“slammed into walls”: Violence and the Impersonalized Subject in Danielle Collobert’s It Then’
- D.M. Grundy (Cambridge), ‘“Suicide of Dynamite”: Sophie Podolski’s le pay où tout est permis’
- Dominic Williams, Milena Marinkova (Leeds), ‘Translation as Relational Poetics in Erin Moure’s Poetry’
1.30-2.30 lunch (G16) / CWWA AGM (F20)
2.30-4.00 panels 7, 8, 9
Panel 7: North American Experiments (Chair: Linda Stupart) (Room: F20)
- Georgina Colby (Westminster), ‘récriture feminine: Kathy Acker’s Blood and Guts in High School’
- Alex Porco (North Carolina), ‘Alice in Micropress: The Poetics of Alice Burdick’
- Michelle Ryan-Sautour (Angers), ‘Surrealist Eroticism and Experimental Writing in Rikki Ducornet’s Short Stories’
Panel 8: Anna Kavan and Ann Quin (Chair: Joseph Darlington) (Room: SU14)
- David Hucklesby (de Montfort), ‘“Clarity and Boldness”: Experiment and Autobiography in the Writing of Ann Quin’
- Hannah Van Hove (Glasgow), ‘“Upright for the Upsidedown World”: Resituating Anna Kavan’s Ice and Ann Quin’s Passages’
- Victoria Walker (King’s), ‘The Experimental and Political Poetics of Anna Kavan’s Ice’
Panel 9: Reading differently (Chair: Scott Thurston) (Room: SU15)
- David Kennedy, Christine Kennedy (Hull), ‘“Daughter’s inconsequence unloosed”: Reading, Writing and Theorizing in Emily Critchley’s “When I Say I Believe Women…”’
- James Bailey (Sheffield), ‘Salutary Scars: The “Disorienting” Fictions of Muriel Spark’
- Alice Entwistle (South Wales), ‘Between Form and Function: Reading Topos in Frances Presley’s “Stone Settings” and Carol Watts’ “Zeta Landscape”’
4.15-5.30 poetry reading, featuring Carrie Etter, Sophie Mayer, Frances Presley, Anna Reckin and Lucy Sheerman, and wine reception sponsored by Cardiff University (Room: John Thaw Studio Theatre)
6.00 Ali Smith event (Cosmo Rodewald Hall, Martin Harris Centre)
Sunday 12th October
9.00-10.30 panels 10, 11, 12
Panel 10: Creative Experiments (Chair: Katharine Cox) (Room F20)
- Holly Pester (Birkbeck), ‘Code: Lyric: Clairvoyance. A Re-enactment of Hannah Weiner’s Work by Holly Pester’
- Susan Sellers (St Andrews), ‘How Today’s Marketplace Stifles Experimental Writing: Thoughts from a Practitioner’
Panel 11: Image + Text (Chair: Liedeke Plate) (Room: SU14)
- Diarmuid Hester (Sussex), ‘Lynne Tillman and Méret Oppenheim: Agency and Influence in Experimental Aesthetics’
- Rachel May (Rhode Island), ‘Intermedial Work by Contemporary Women: Image + Text’
- Linda Stupart (Goldsmiths), ‘Against Critical Distance: Kathy Acker, Chris Kraus and the Empathetic Exchange of Objects’
Panel 12: Politics and social change (Chair: Dominic Williams) (Room: SU15)
- Diana Arterian (Southern California), ‘“Something Binding”: How Claudia Rankine’s American Lyric Weaves Public and Private Catastrophe’
- Rosemary Deller (Manchester), ‘Ventriloquising Meat: Deborah Levy’s Diary of a Steak’
- Chris Witter (Lancaster), ‘The Subaltern Modernism of Anzia Yezierska, Tillie Olsen and Grace Paley’
10.30-11.00 tea and biscuits (G16)
11.10-12.10 keynote: Rachel Carroll (Teeside), ‘How Soon Is Now: Constructing the Contemporary, Gendering the Experimental’ (Room: John Thaw Studio Theatre)
Chair: Susan Watkins (Leeds Metropolitan)
12.10-1.00 lunch (G16)
1.00-2.30 panels 13, 14, 15
Panel 13: Devolutions (Chair: Heidi Yeandle) (Room: F20)
- Ben Davies (Portsmouth), ‘Experiments in Dwelling: (being) in Ali Smith’s There but for the’
- Jane Stedman (Manchester), ‘Overspill: Location and Experimentation in Janice Galloway’s The Trick is to Keep Breathing’
- Bronwen Williams (Aberystwyth), ‘Memory and the City in the Work of Zoe Skoulding’
Panel 14: Feminist experiments (Chair: Kaye Mitchell) (Room: SU14)
- Chris Clarke (Southampton), ‘Tracing the Survival of Eva Figes’s Early Experimental Fiction’
- Kyoo Lee (CUNY), ‘Simone de Beauvoir as an Experimental Writer: The Second Sex as a Case in Point’
Panel 15: North American experiments 2 (Chair: Diana Arterian) (Room: SU15)
- Jonathan Evans (Portsmouth), ‘Unoriginal Genius: Collage, Quotation and Pastiche in the Work of Lydia Davis’
- Liedeke Plate (Radboud), ‘How to Do Things with Books in the Digital Age: Anne Carson’s Nox, Uncreativity and the Aesthetics of Bookishness’
- Bryan Radley (York), ‘After Minimalism: The Case of Mary Robison’
2.30-3.00 tea and biscuits (G16)
3.00-4.30 panels 16, 17
Panel 16: Archival/intertextual experiments (Chair: Diarmuid Hester) (Room: SU14)
- Natasha Alden (Aberystwyth), ‘Queering the Archive: Archive Fever and Contemporary Lesbian Historical Fiction’
- Katharine Cox (Cardiff Met), ‘The Ties that Bind: Jeanette Winterson’s Narratives of Adoption’
- Helen Snaith (Swansea), ‘The Hooded Executioner: Japanese Puppet Theatre in Angela Carter’s Fireworks’
Panel 17: New voices (Chair: Alex Porco) (Room: SU15)
- Angelica Michelis (MMU), ‘“I rename myself/Ufo woman”: The Experiment of Urban Performance Poetry’
- Lucy Sheerman (Independent), ‘Out of Order: Conservatism and Experiment: The Relationship between Language and Technology in the Work of Susan Hiller, Imogen Stidworthy and Rachel Lichtenstein’
- Scott Thurston (Salford), ‘Innovative Women Poets: The Next Generation’
4.30-4.45 closing comments (G16)